{"id":5382,"date":"2022-06-13T09:58:26","date_gmt":"2022-06-13T14:58:26","guid":{"rendered":"http:\/\/alzand.com\/?page_id=5382"},"modified":"2026-02-21T10:54:53","modified_gmt":"2026-02-21T15:54:53","slug":"karim-al-zand-a-musical-introduction","status":"publish","type":"page","link":"https:\/\/alzand.com\/?page_id=5382","title":{"rendered":"INTRODUCTION"},"content":{"rendered":"<p style=\"background-color: #e0e0e0; padding: 15px;\"><strong>Describing your own music is a precarious business for a composer. But here are a few thoughts about my work and an accompanying guided playlist, by way of musical introduction. If you&#8217;d like to explore my catalogue, these are places you might start.<\/strong><\/p>\n<p><i>My pieces usually have a \u201cthread\u201d that connects them to something outside of the music itself. That connection might be explicit or hidden; it might be musical or extra-musical, collaborative or inter-disciplinary; its context may be historical or contemporary, social or political. Whatever the thread is, it usually forms my initial inspiration and my guide as I create the fabric of a piece. The examples below are organized to reflect these various creative strands, and to reveal a little of my approach and compositional \u201cstyle.\u201d <\/i><\/br><\/br><\/p>\n<h3><span class=\"hihglight1\">VISUAL ART INSPIRATION\u2026<\/span><\/h3>\n<p><div class=\"img-frame alignright\"><a href=\"http:\/\/alzand.com\/wp-content\/uploads\/2022\/06\/ballerina.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5303\" src=\"http:\/\/alzand.com\/wp-content\/uploads\/2022\/06\/ballerina.jpg\" alt=\"\" width=\"161\" height=\"185\" \/><\/a><\/div><a href=\"http:\/\/alzand.com\/?page_id=809\">Visions from Another World<\/a>: Spinning Ballerina<br \/>\n<i>An orchestral work based on fantastical, other-worldly images by 19th century French illustrator J. J. Granville (1803\u20131847).<\/i><div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4c97ded7.94469947\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4c97ded7.94469947','http:\/\/alzand.com\/Visions_3_Ballerina.mp3','80','false');show_hide('play','69f1dc4c97ded7.94469947');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4c97ded7.94469947\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4c97ded7.94469947','','80','false');show_hide('stop','69f1dc4c97ded7.94469947');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/p>\n<p><div class=\"img-frame alignleft\"><a href=\"http:\/\/alzand.com\/wp-content\/uploads\/2019\/01\/Gauloises_bleues.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3706\" src=\"http:\/\/alzand.com\/wp-content\/uploads\/2019\/01\/Gauloises_bleues.jpg\" alt=\"\" width=\"91\" height=\"138\" srcset=\"https:\/\/alzand.com\/wp-content\/uploads\/2019\/01\/Gauloises_bleues.jpg 364w, https:\/\/alzand.com\/wp-content\/uploads\/2019\/01\/Gauloises_bleues-199x300.jpg 199w, https:\/\/alzand.com\/wp-content\/uploads\/2019\/01\/Gauloises_bleues-132x200.jpg 132w\" sizes=\"auto, (max-width: 91px) 100vw, 91px\" \/><\/a><\/div><a href=\"http:\/\/alzand.com\/?page_id=3699\">Six Bagatelles<\/a>: Gauloises Blues<br \/>\n<i>Short vignettes for piano trio after prints by American abstract expressionist artist Robert Motherwell (1915\u20131991).<\/i><br \/>\n<div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4c99cbf6.18950968\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4c99cbf6.18950968','http:\/\/alzand.com\/Bagatelles_3.mp3','80','false');show_hide('play','69f1dc4c99cbf6.18950968');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4c99cbf6.18950968\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4c99cbf6.18950968','','80','false');show_hide('stop','69f1dc4c99cbf6.18950968');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/p>\n<p align=\"right\"><button onclick=\"myFunction()\">more\u2026<\/button><\/p>\n<div id=\"myDIV\" style=\"display: none;\">\n<p align=\"right\"><a href=\"http:\/\/alzand.com\/?page_id=720\">Lamentation on The Disasters of War<\/a> <i>\u2014on etchings of Francisco de Goya<\/i><a href=\"http:\/\/alzand.com\/?page_id=799\"><br \/>\nTableau and Details<\/a><i>\u2014a Brueghel-like musical painting<\/i><\/p>\n<\/div>\n<p><script>\nfunction myFunction() {\n  var x = document.getElementById(\"myDIV\");\n  if (x.style.display === \"none\") {\n    x.style.display = \"block\";\n  } else {\n    x.style.display = \"none\";\n  }\n}\n<\/script><\/p>\n<hr \/>\n<h3><span class=\"hihglight1\">POETRY SETTINGS\u2026<\/span><\/h3>\n<div style=\"float: right;\"><div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4c9bca60.57490156\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4c9bca60.57490156','http:\/\/alzand.com\/Tagore_Studio_10.mp3','80','false');show_hide('play','69f1dc4c9bca60.57490156');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4c9bca60.57490156\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4c9bca60.57490156','','80','false');show_hide('stop','69f1dc4c9bca60.57490156');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/div>\n<p><a href=\"http:\/\/alzand.com\/?page_id=800\">Tagore Love Songs<\/a>: 10. If you would have it so<br \/>\n<i>A setting of love poems by the Bengali Nobel Laureate Rabindranath Tagore (1861\u20131941).<\/i><\/p>\n<p><button onclick=\"myFunction3()\">show poem<\/button><\/p>\n<div id=\"myDIV3\" style=\"display: none;\">If you would have it so,<br \/>\nI will end my singing.<br \/>\nIf it sets your heart aflutter,<br \/>\nI will take away my eyes from your face.<br \/>\nIf it suddenly startles you in your walk,<br \/>\nI will step aside and take another path.<br \/>\nIf it confuses you in your flower-weaving,<br \/>\nI will shun your lonely garden.<br \/>\nIf it makes the water wanton and wild,<br \/>\nI will not row my boat by your bank.<\/div>\n<p><script>\nfunction myFunction3() {\n  var x = document.getElementById(\"myDIV3\");\n  if (x.style.display === \"none\") {\n    x.style.display = \"block\";\n  } else {\n    x.style.display = \"none\";\n  }\n}\n<\/script><\/p>\n<div style=\"float: right;\"><div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4c9d9e35.90945804\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4c9d9e35.90945804','http:\/\/alzand.com\/Orange_Torches_4.mp3','80','false');show_hide('play','69f1dc4c9d9e35.90945804');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4c9d9e35.90945804\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4c9d9e35.90945804','','80','false');show_hide('stop','69f1dc4c9d9e35.90945804');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/div>\n<p><a href=\"http:\/\/alzand.com\/?page_id=804\">Orange Torches Against the Rain<\/a>: 4. The Peddler of Flowers<br \/>\n<i>A song cycle about flowers and rain after poems by American poet Amy Lowell (1874\u20131925).<\/i><\/p>\n<p><button onclick=\"myFunction4()\">show poem<\/button><\/p>\n<div id=\"myDIV4\" style=\"display: none;\">I came from the country<br \/>\nWith flowers,<br \/>\nLarkspur and roses,<br \/>\nFretted lilies<br \/>\nIn their leaves,<br \/>\nAnd long, cool lavender.<br \/>\nI carried them<br \/>\nFrom house to house,<br \/>\nAnd cried them<br \/>\nDown hot streets.<br \/>\nThe sun fell<br \/>\nUpon my flowers,<br \/>\nAnd the dust of the streets<br \/>\nBlew over my basket.<\/div>\n<p><script>\nfunction myFunction4() {\n  var x = document.getElementById(\"myDIV4\");\n  if (x.style.display === \"none\") {\n    x.style.display = \"block\";\n  } else {\n    x.style.display = \"none\";\n  }\n}\n<\/script><\/p>\n<p align=\"right\"><button onclick=\"myFunction5()\">more\u2026<\/button><\/p>\n<div id=\"myDIV5\" style=\"display: none;\">\n<p align=\"right\"><a href=\"http:\/\/alzand.com\/?page_id=802\">Thirteen Tanka<\/a> <i>\u2014ancient Japanese poems on birds, boats, blossoms and bugs<\/i><\/p>\n<\/div>\n<p><script>\nfunction myFunction5() {\n  var x = document.getElementById(\"myDIV5\");\n  if (x.style.display === \"none\") {\n    x.style.display = \"block\";\n  } else {\n    x.style.display = \"none\";\n  }\n}\n<\/script><\/p>\n<hr \/>\n<h3><span class=\"hihglight1\">MUSIC INSPIRED BY CURRENT EVENTS\u2026<\/span><\/h3>\n<p><a href=\"http:\/\/alzand.com\/?page_id=3919\">The Leader<\/a><br \/>\n<i>A comic chamber opera based on Eug\u00e8ne Ionesco\u2019s Le Ma\u00eetre, a one-act political satire from 1953. Its characters all worship a buffoonish \u201cgreat man,\u201d a charlatan they adore despite his ridiculous behavior. Sound familiar?<\/i><\/p>\n<style>.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }<\/style>\n<div class=\"embed-container\"><iframe src=\"https:\/\/www.youtube.com\/embed\/\/GTMPeNEJnlY\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p><div class=\"img-frame alignleft\"><a href=\"http:\/\/alzand.com\/wp-content\/uploads\/2013\/05\/goya.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1016\" src=\"http:\/\/alzand.com\/wp-content\/uploads\/2013\/05\/goya.gif\" alt=\"\" width=\"260\" height=\"203\" \/><\/a><\/div><a href=\"http:\/\/alzand.com\/?page_id=720\">Lamentation on The Disasters of War<\/a> <i>Composed in 2006 as a response to the US invasion of Iraq, a country where members of my extended family still reside. The title of this string sextet references artist Francisco de Goya\u2019s harrowing engravings of Napoleon&#8217;s similarly ill-fated incursions into Spain, Los Desastres de la Guerra.<\/i><\/br><\/br><div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4c9faa37.33168249\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4c9faa37.33168249','http:\/\/alzand.com\/lamentation.mp3','80','false');show_hide('play','69f1dc4c9faa37.33168249');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4c9faa37.33168249\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4c9faa37.33168249','','80','false');show_hide('stop','69f1dc4c9faa37.33168249');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/br><\/p>\n<p align=\"right\"><button onclick=\"myFunction15()\">more\u2026<\/button><\/p>\n<div id=\"myDIV15\" style=\"display: none;\">\n<p align=\"right\"><a href=\"http:\/\/alzand.com\/?page_id=3147\">The Prisoner<\/a> \u2014the tragic story of Adnan Latif, the first man imprisoned in Guantanamo Bay<br \/>\n<a href=\"http:\/\/alzand.com\/?page_id=2904\">Luctus Profugis<\/a> <i>\u2014lament reflecting on the 2015\u20132019 European refugee crisis<\/i><br \/>\n<a href=\"http:\/\/alzand.com\/?page_id=3497\">Songs from the Post Truth Era<\/a> <i>\u2014song cycle about telling the truth<\/i><\/p>\n<\/div>\n<p><script>\nfunction myFunction15() {\n  var x = document.getElementById(\"myDIV15\");\n  if (x.style.display === \"none\") {\n    x.style.display = \"block\";\n  } else {\n    x.style.display = \"none\";\n  }\n}\n<\/script><\/p>\n<hr \/>\n<h3><span class=\"hihglight1\">MUSIC REFLECTING ON OTHER MUSIC\u2026<\/span><\/h3>\n<div style=\"float: right;\"><div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4ca1cc12.01405219\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4ca1cc12.01405219','http:\/\/alzand.com\/Pattern_Preludes_1.1.mp3','80','false');show_hide('play','69f1dc4ca1cc12.01405219');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4ca1cc12.01405219\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4ca1cc12.01405219','','80','false');show_hide('stop','69f1dc4ca1cc12.01405219');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/div>\n<p><a href=\"http:\/\/alzand.com\/?page_id=732\">Pattern Preludes<\/a>: Book I, no. 1<br \/>\n<i>A gloss on J. S. Bach&#8217;s C Major Prelude from the Well Tempered Clavier, Book I, BWV 846. One hand plays the original, the other adds a commentary.<\/i><\/p>\n<p><a href=\"http:\/\/alzand.com\/?page_id=4878\">Ignoble Dances<\/a>: A Distracted Pavan for These Sad Times<br \/>\n<i>Composed in 2020, this is a re-imagining of English composer Thomas Tomkins&#8217;s (1572\u20131656) harpsichord lament &#8220;A Sad Pavane for These Distracted Times,&#8221; written for our own time.<\/i><\/p>\n<style>.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }<\/style>\n<div class=\"embed-container\"><iframe src=\"https:\/\/www.youtube.com\/embed\/7vlpABK78b4?start=898\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p align=\"right\"><button onclick=\"myFunction2()\">more\u2026<\/button><\/p>\n<div id=\"myDIV2\" style=\"display: none;\">\n<p align=\"right\"><a href=\"http:\/\/alzand.com\/?page_id=729\">Paganini Reverie<\/a> \u2014<i>based on Paganini&#8217;s famous 24th Caprice<\/i><br \/>\n<a href=\"http:\/\/alzand.com\/?page_id=713\">Hollows and Dells<\/a>: II. Fantasy on Repton <i>\u2014fragmentation of &#8220;Dear Lord and Father of Mankind&#8221;<\/i><br \/>\n<a href=\"http:\/\/alzand.com\/?page_id=695\">City Scenes<\/a> <i>\u2014a jazz-infused orchestral score that reflect on the tumult of city life<\/i><\/p>\n<\/div>\n<p><script>\nfunction myFunction2() {\n  var x = document.getElementById(\"myDIV2\");\n  if (x.style.display === \"none\") {\n    x.style.display = \"block\";\n  } else {\n    x.style.display = \"none\";\n  }\n}\n<\/script><\/p>\n<hr \/>\n<h3><span class=\"hihglight1\">STORIES AND FABLES\u2026<\/span><\/h3>\n<p><div class=\"img-frame alignright\"><a href=\"http:\/\/alzand.com\/wp-content\/uploads\/2013\/05\/lion.gif\"><img decoding=\"async\" src=\"http:\/\/alzand.com\/wp-content\/uploads\/2013\/05\/lion.gif\" alt=\"\" width=\"140\" height=\"141 class=\" \/><\/a><\/div><a href=\"http:\/\/alzand.com\/?page_id=703\">Four Fables<\/a>: 3. The Lion the Fox and the Fish<br \/>\n<i>Short pieces with inspiration drawn from animal fables by authors from near and far.<\/i><div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4ca3ce44.81292699\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4ca3ce44.81292699','http:\/\/alzand.com\/fables3.mp3','80','false');show_hide('play','69f1dc4ca3ce44.81292699');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4ca3ce44.81292699\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4ca3ce44.81292699','','80','false');show_hide('stop','69f1dc4ca3ce44.81292699');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/p>\n<p><button onclick=\"myFunction6()\">show fable<\/button><\/p>\n<div id=\"myDIV6\" style=\"display: none;\">The Lion appointed the Fox governor of the water. While ruling on the shore, the Fox angled after fish, intent on eating his<br \/>\nconstituents. The poor fish were placed in a hot pan over a roaring fire. Seeing their end close at hand, the fish began to fling<br \/>\nthemselves about frantically in an attempt to escape. The Lion, hearing rumors of the Fox&#8217;s abuse of power, came to investigate.<br \/>\n&#8220;What is going on here?&#8221; he demanded, motioning toward the springing fish.<br \/>\n&#8220;These are carp, inhabitants of the waters.&#8221; answered the Fox, &#8220;We have all come together to congratulate you, our good king,<br \/>\non your arrival.&#8221; (All the time the fish were leaping about in the pan.)<br \/>\n&#8220;But tell me,&#8221; asked the Lion, &#8220;why do the carp fling themselves about so?&#8221;<br \/>\n&#8220;O wise Lion,&#8221; replied the Fox, &#8220;they are dancing for joy at seeing you!&#8221;<br \/>\n<strong>Ivan Krylov<\/strong> (trans. W. R. S. Ralston)<\/div>\n<p><script>\nfunction myFunction6() {\n  var x = document.getElementById(\"myDIV6\");\n  if (x.style.display === \"none\") {\n    x.style.display = \"block\";\n  } else {\n    x.style.display = \"none\";\n  }\n}\n<\/script><\/p>\n<p><div class=\"img-frame alignleft\"><a href=\"http:\/\/alzand.com\/wp-content\/uploads\/2018\/06\/Parizade_small-e1529076873265.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3410\" src=\"http:\/\/alzand.com\/wp-content\/uploads\/2018\/06\/Parizade_small-e1529076873265.jpg\" alt=\"\" width=\"286\" height=\"176\" srcset=\"https:\/\/alzand.com\/wp-content\/uploads\/2018\/06\/Parizade_small-e1529076873265-300x186.jpg 300w, https:\/\/alzand.com\/wp-content\/uploads\/2018\/06\/Parizade_small-e1529076873265-200x124.jpg 200w\" sizes=\"auto, (max-width: 286px) 100vw, 286px\" \/><\/a><\/div><a href=\"http:\/\/alzand.com\/?page_id=731\">Parizade and the Singing Tree<\/a>:<br \/>\nI. In which Parizade seeks the Singing Tree and hears the Dervish\u2019s warning.<br \/>\n<i>A magical folktale from the &#8220;Arabian Nights&#8221; stories.<\/i><br \/>\n<div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4ca5b203.50434411\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4ca5b203.50434411','http:\/\/alzand.com\/parizade1.mp3','80','false');show_hide('play','69f1dc4ca5b203.50434411');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4ca5b203.50434411\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4ca5b203.50434411','','80','false');show_hide('stop','69f1dc4ca5b203.50434411');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/p>\n<p><button onclick=\"myFunction7()\">show fable<\/button><\/p>\n<div id=\"myDIV7\" style=\"display: none;\">There once was a Singing Tree. Or rather, young Parizade had heard the legends of this singular wonder. Parizade had learned of the famed Singing Tree from her father. And, as the daughter of the palace gardener, she had watched many princes and noblemen venture in search of this most prized possession.<br \/>\nOne after another, young men had sought out the Singing Tree, questing for adventure and promising to bring home a branch from its magnificent boughs. But, though many had undertaken the journey, mysteriously none had ever returned.<br \/>\nParizade too longed to seek the Singing Tree, to bring home a branch to her father and\u2014most of all\u2014to hear its splendid song.<br \/>\n\u201cBut it is too dangerous!\u201d some said. \u201cYou are too young!\u201d said others. \u201cToo common! And a girl\u2026\u201d But in fact, Parizade was altogether too determined.<br \/>\nSo one night, the fearless gardener&#8217;s daughter disguised herself as a young man, mounted her horse with conviction and quickly left town on an adventure of her own.<br \/>\nAfter many days travel, Parizade came upon a stranger crouching at the side of the road. He was very old, or so it seemed. His eyebrows were white like snow, as was also his hair, his moustache and his beard. His moustache quite covered his mouth while his beard fell almost to his feet. He was a Dervish.<br \/>\nAs Parizade approached, the man awoke from his recent slumber and began to excitedly beckon her towards him.<br \/>\nParizade addressed the Dervish nervously: \u201cPlease, wise Dervish, I am in search of the Singing Tree. I know this rarity is not far from here. I implore you to show me the way that I may not lose my labor after so long a journey.\u201d<br \/>\n\u201cAh, yes, the Singing Tree.\u201d replied the Dervish, pointing to a clearing in the woods. \u201cTake this path and follow it to the foot of a mountain. You will find the tree standing at its summit.\u201d<br \/>\n\u201cBut wait. A number of brave men\u2014like yourself\u2014have passed this way in search of the Singing Tree. But I can assure you they have all perished, for not one has returned. So mind you heed my warning: While you ascend the mountain, never turn your head to cast a look backwards, for in that instant you will be turned to stone.\u201d<br \/>\nAnd, no sooner had the Dervish uttered his ominous warning than he was gone.<\/div>\n<p><script>\nfunction myFunction7() {\n  var x = document.getElementById(\"myDIV7\");\n  if (x.style.display === \"none\") {\n    x.style.display = \"block\";\n  } else {\n    x.style.display = \"none\";\n  }\n}\n<\/script><\/p>\n<p align=\"right\"><button onclick=\"myFunction8()\">more\u2026<\/button><\/p>\n<div id=\"myDIV8\" style=\"display: none;\">\n<p align=\"right\"><a href=\"http:\/\/alzand.com\/?page_id=721\">Leila<\/a> <i>\u2013a song cycle based on the classical Arabic poems of unrequited love<\/i><\/p>\n<\/div>\n<p><script>\nfunction myFunction8() {\n  var x = document.getElementById(\"myDIV8\");\n  if (x.style.display === \"none\") {\n    x.style.display = \"block\";\n  } else {\n    x.style.display = \"none\";\n  }\n}\n<\/script><\/p>\n<hr \/>\n<h3><span class=\"hihglight1\">MUSIC AND LANGUAGE\u2026<\/span><\/h3>\n<div style=\"float: right;\"><div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4ca7b108.84746494\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4ca7b108.84746494','http:\/\/alzand.com\/The_Art_of_Conversation_Discursus_3.mp3','80','false');show_hide('play','69f1dc4ca7b108.84746494');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4ca7b108.84746494\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4ca7b108.84746494','','80','false');show_hide('stop','69f1dc4ca7b108.84746494');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/div>\n<p><a href=\"http:\/\/alzand.com\/?page_id=699\">The Art of Conversation<\/a> [String Quartet No. 3], Discursus 3: Dialogues<br \/>\n<i>Seven \u201cdialogues\u201d for string quartet, each one representing a different type of \u201cconversation.\u201d Here there are two separate conversations: a quiet duo for two violins and a heartfelt duo for viola and cello.<\/i><\/p>\n<div style=\"float: right;\"><div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4ca96664.37961684\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4ca96664.37961684','http:\/\/alzand.com\/Songs_Post_Truth.mp3','80','false');show_hide('play','69f1dc4ca96664.37961684');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4ca96664.37961684\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4ca96664.37961684','','80','false');show_hide('stop','69f1dc4ca96664.37961684');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/div>\n<p><a href=\"http:\/\/alzand.com\/?page_id=3497\">Songs from the Post Truth Era<\/a><br \/>\n<i>A song cycle based on a didactic verse \u201cIncorrect Speaking\u201d by Charles Lamb. The text for the following songs preserve the words from the original, but rearrange their order and syntax until they are (almost) meaningless.<\/i><\/p>\n<div style=\"float: left;\"><button onclick=\"myFunction9()\">show text<\/button><\/div>\n<p>&nbsp;<\/p>\n<div id=\"myDIV9\" style=\"display: none;\"><strong>Incorrect Speaking<\/strong><\/br><\/br>Incorrectness in your speech<br \/>\nCarefully avoid, my Anna;<br \/>\nStudy well the sense of each<br \/>\nSentence, lest in any manner<br \/>\nIt misrepresent the truth;<br \/>\nVeracity\u2019s the charm of youth.<br \/>\nYou will not, I know, tell lies,<br \/>\nIf you know what you are speaking.<br \/>\nTruth is shy, and from us flies;<br \/>\nUnless diligently seeking<br \/>\nInto every word we pry,<br \/>\nFalsehood will her place supply.<br \/>\nFalsehood is not shy, not she\u2014<br \/>\nEver ready to take place of<br \/>\nTruth, too oft we Falsehood see,<br \/>\nOr at least some latent trace of<br \/>\nFalsehood, in the incorrect<br \/>\nWords of those who Truth respect.<i>\u2014Charles Lamb<br \/>\nfrom Poetry for Children (1809)<\/i><\/p>\n<p><strong>The Charm of Anna<\/strong><\/p>\n<p>Unless we are seeking to pry the truth<br \/>\nFrom my words of youth,<br \/>\nCarefully avoid the charm of Anna:<br \/>\nShe is not shy, not shy in any manner.<br \/>\nIf you study well your speech,<br \/>\nAnd diligently misrepresent into each<br \/>\nSentence, lest it supply<br \/>\nThe what, will, who and know,<br \/>\nIncorrectness will take Veracity\u2019s place\u2014you see?<br \/>\nIn her place, we sense, flies some latent trace of oft.<br \/>\nSpeaking of Truth:<br \/>\nIn truth, every word of those you respect is<br \/>\nFalsehood, Falsehood, Falsehood, Falsehood!<br \/>\n(Or is at least incorrect.)<\/p>\n<p><strong>The Supply of Flies<\/strong><\/p>\n<p>Take carefully each speech<br \/>\nPry every sense from my sentence<br \/>\nSpeaking, seeking<br \/>\nOf youth, of truth,<br \/>\nOr of lies\u2014<br \/>\nWe will ready the supply of flies!<br \/>\nI, you, my, we<br \/>\nStudy your veracity\u2019s<br \/>\nYou see?<br \/>\nIncorrectness<br \/>\nif, of, oft<br \/>\nthe will, the well, the words<br \/>\nWe respect, incorrect<br \/>\nTruth, shy, truth<br \/>\n(Place into you-know-who)<br \/>\nFalsehood, shy, falsehood<br \/>\nit us, in lest, at least, in some<br \/>\nnot word, what know, those are<br \/>\nNot to avoid charm<br \/>\nTruth is she any?<br \/>\nUnless in latent her manner too diligently is\u2026<br \/>\nOf truth tell not ever<br \/>\nAnna<\/p>\n<\/div>\n<p><script>\nfunction myFunction9() {\n  var x = document.getElementById(\"myDIV9\");\n  if (x.style.display === \"none\") {\n    x.style.display = \"block\";\n  } else {\n    x.style.display = \"none\";\n  }\n}\n<\/script><\/p>\n<hr \/>\n<h3><span class=\"hihglight1\">FILM MUSIC\u2026<\/span><\/h3>\n<p><a href=\"http:\/\/alzand.com\/?page_id=694\">Cinderella<\/a><br \/>\n<i>A work written as the accompaniment to the 1922 silent film, Aschenputtel [Cinderella] by the German silhouette artist Lotte Reiniger (1899\u20131981).<\/i><\/p>\n<style>.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }<\/style>\n<div class=\"embed-container\"><iframe src=\"https:\/\/www.youtube.com\/embed\/\/poq0bf6M8Z8\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p align=\"right\"><button onclick=\"myFunction10()\">more\u2026<\/button><\/p>\n<div id=\"myDIV10\" style=\"display: none;\">\n<p align=\"right\"><a href=\"http:\/\/alzand.com\/?page_id=695\">City Scenes<\/a> <i>\u2014with a film of Houston by Libbie Masterson<\/i><\/p>\n<\/div>\n<p><script>\nfunction myFunction10() {\n  var x = document.getElementById(\"myDIV10\");\n  if (x.style.display === \"none\") {\n    x.style.display = \"block\";\n  } else {\n    x.style.display = \"none\";\n  }\n}\n<\/script><\/p>\n<hr \/>\n<h3><span class=\"hihglight1\">FOLK MUSIC INSPIRATIONS\u2026<\/span><\/h3>\n<div style=\"float: right;\"><div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4cab7989.27680740\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4cab7989.27680740','http:\/\/alzand.com\/Fantasy_Bulgarian.mp3','80','false');show_hide('play','69f1dc4cab7989.27680740');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4cab7989.27680740\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4cab7989.27680740','','80','false');show_hide('stop','69f1dc4cab7989.27680740');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/div>\n<p><a href=\"http:\/\/alzand.com\/?page_id=690\">Fantasy on Bulgarian Rhythms<\/a><br \/>\n<i>A string quartet inspired by the \u201cirregular\u201d meters of Bulgarian folk traditions, in particular, the Rachenitsa (2+2+3) and the Buchimish (2+2+2+2+3+2+2).<\/i><\/p>\n<div style=\"float: right;\"><div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4cad6c10.75446405\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4cad6c10.75446405','http:\/\/alzand.com\/HD_reel_rondeau.mp3','80','false');show_hide('play','69f1dc4cad6c10.75446405');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4cad6c10.75446405\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4cad6c10.75446405','','80','false');show_hide('stop','69f1dc4cad6c10.75446405');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/div>\n<p><a href=\"http:\/\/alzand.com\/?page_id=713\">Hollows and Dells<\/a>: 3. Reel en rondeau [fiddle dance]<br \/>\n<i>Bridging the musical traditions of Great Britain and America, a raucous \u201creel\u201d that draws on old time fiddle traditions and idioms, both Irish and Appalachian.<\/i><\/p>\n<hr \/>\n<h3><span class=\"hihglight1\">EXTRA-MUSICAL THEMES\u2026<\/span><\/h3>\n<p><div class=\"img-frame alignright\"><a href=\"http:\/\/alzand.com\/wp-content\/uploads\/2022\/06\/Haeckel_3.Discomedusae_8-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5328\" src=\"http:\/\/alzand.com\/wp-content\/uploads\/2022\/06\/Haeckel_3.Discomedusae_8-scaled.jpg\" alt=\"\" width=\"158\" height=\"243\" \/><\/a><\/div><a href=\"http:\/\/alzand.com\/?page_id=708\">Quelques Fleurs<\/a>: 3. Jasmine<i>A piece about the fragrance of flowers. Jasmine is an atmospheric nocturne that tries to capture a gradual envelopment by the flower&#8217;s potent bouquet.<\/i><br \/>\n<div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4caf6fe7.77074595\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4caf6fe7.77074595','http:\/\/alzand.com\/QF_3.mp3','80','false');show_hide('play','69f1dc4caf6fe7.77074595');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4caf6fe7.77074595\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4caf6fe7.77074595','','80','false');show_hide('stop','69f1dc4caf6fe7.77074595');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><br \/>\n<a href=\"http:\/\/alzand.com\/?page_id=796\">Studies in Nature<\/a>: 3. Jellyfish<br \/>\n<i>Based on biological illustrations by Ernst Haeckel. The last movement evokes the curlicues of the Jellyfish, rippling through the water, all quivering motion.<\/i><br \/>\n<div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4cb12161.75378097\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4cb12161.75378097','http:\/\/alzand.com\/Studies_in_Nature3.mp3','80','false');show_hide('play','69f1dc4cb12161.75378097');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4cb12161.75378097\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4cb12161.75378097','','80','false');show_hide('stop','69f1dc4cb12161.75378097');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/br><\/p>\n<p align=\"right\"><button onclick=\"myFunction11()\">more\u2026<\/button><\/p>\n<div id=\"myDIV11\" style=\"display: none;\">\n<p align=\"right\"><a href=\"http:\/\/alzand.com\/?page_id=714\">Imaginary Scenes<\/a> <i>\u2014mechanical marionettes, whirling dervish, a love-scene on 2 violin strings<\/i><br \/>\n<a href=\"http:\/\/alzand.com\/?page_id=691\">Cabinet of Curiosities<\/a> <i>\u2014still life of a lizard, music in a convex mirror, other musical curiosities.<\/i><\/p>\n<\/div>\n<p><script>\nfunction myFunction11() {\n  var x = document.getElementById(\"myDIV11\");\n  if (x.style.display === \"none\") {\n    x.style.display = \"block\";\n  } else {\n    x.style.display = \"none\";\n  }\n}\n<\/script><\/p>\n<hr \/>\n<h3><span class=\"hihglight1\">MUSIC FOR YOUNG AUDIENCES\u2026<\/span><\/h3>\n<p><div class=\"img-frame alignright\"><a href=\"http:\/\/alzand.com\/wp-content\/uploads\/2015\/11\/swimmy_SOLI.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2729\" src=\"http:\/\/alzand.com\/wp-content\/uploads\/2015\/11\/swimmy_SOLI.jpg\" alt=\"\" width=\"450\" height=\"232\" srcset=\"https:\/\/alzand.com\/wp-content\/uploads\/2015\/11\/swimmy_SOLI.jpg 450w, https:\/\/alzand.com\/wp-content\/uploads\/2015\/11\/swimmy_SOLI-300x155.jpg 300w, https:\/\/alzand.com\/wp-content\/uploads\/2015\/11\/swimmy_SOLI-200x103.jpg 200w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><\/div><a href=\"http:\/\/alzand.com\/?page_id=798\">Swimmy<\/a><br \/>\n<i>Based on the Caldecott Award-winning children\u2019s book \u201cSwimmy\u201d by Leo Lionni, presented with narrator and illustrations.<\/i><div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4cb31ab3.32754588\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4cb31ab3.32754588','http:\/\/alzand.com\/swimmy.mp3','80','false');show_hide('play','69f1dc4cb31ab3.32754588');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4cb31ab3.32754588\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4cb31ab3.32754588','','80','false');show_hide('stop','69f1dc4cb31ab3.32754588');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/p>\n<p><a href=\"http:\/\/alzand.com\/?page_id=730\">Red Pajamas<\/a><br \/>\n<i>Theme and variations based on \u201cShe&#8217;ll be Comin&#8217; &#8216;Round the Mountain. An educational work with narrator, including an introduction to the instruments and to basic musical concepts.<\/i><\/br><\/br><\/br><\/p>\n<p align=\"right\"><button onclick=\"myFunction14()\">more\u2026<\/button><\/p>\n<div id=\"myDIV14\" style=\"display: none;\">\n<p align=\"right\"><a href=\"http:\/\/alzand.com\/?page_id=688\">BeatBox<\/a><i>\u2014part of an educaiton show: a musical machine with levers to divide the beat into parts, <\/i><br \/>\n<a href=\"http:\/\/alzand.com\/?page_id=712\">Handel&#8217;s Messiah: The Pre-Game Show<\/a><i>\u2014Handel&#8217;s pre-performance press conference<\/i><br \/>\n<a href=\"http:\/\/alzand.com\/?page_id=731\">Parizade and the Singing Tree<\/a><i>\u2014a magical folktale from the Arabian Nights<\/i><\/p>\n<\/div>\n<p><script>\nfunction myFunction14() {\n  var x = document.getElementById(\"myDIV14\");\n  if (x.style.display === \"none\") {\n    x.style.display = \"block\";\n  } else {\n    x.style.display = \"none\";\n  }\n}\n<\/script><\/p>\n<hr \/>\n<h3><span class=\"hihglight1\">STUDIES &amp; ETUDES\u2026<\/span><\/h3>\n<p><a href=\"http:\/\/alzand.com\/?page_id=797\">Capriccios<\/a>, No. 1<br \/>\n<i>Six studies for solo violin; No. 1 is a moto-perpetuo.<\/i><\/p>\n<style>.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }<\/style>\n<div class=\"embed-container\"><iframe src=\"https:\/\/www.youtube.com\/embed\/\/C6Q8nkhUB0o\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p><a href=\"http:\/\/alzand.com\/?page_id=726\">El Martillo<\/a> <i>Three pairs of bongos use &#8220;metric modulation&#8221; on an Afro-Cuban rhythm.<\/i><div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4cb50c44.53674434\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4cb50c44.53674434','http:\/\/alzand.com\/El_Martillo.mp3','80','false');show_hide('play','69f1dc4cb50c44.53674434');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4cb50c44.53674434\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4cb50c44.53674434','','80','false');show_hide('stop','69f1dc4cb50c44.53674434');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/p>\n<p align=\"right\"><button onclick=\"myFunction12()\">more\u2026<\/button><\/p>\n<div id=\"myDIV12\" style=\"display: none;\">\n<p align=\"right\"><a href=\"http:\/\/alzand.com\/?page_id=732\">Pattern Preludes<\/a> (Books 1-4) <i>\u201424 short works for solo piano.<\/i><br \/>\n<a href=\"http:\/\/alzand.com\/?page_id=4913\">Toccata<\/a> <i>\u2014virtuosic prelude for organ<br \/>\n<\/i><\/p>\n<\/div>\n<p><script>\nfunction myFunction12() {\n  var x = document.getElementById(\"myDIV12\");\n  if (x.style.display === \"none\") {\n    x.style.display = \"block\";\n  } else {\n    x.style.display = \"none\";\n  }\n}\n<\/script><\/p>\n<hr \/>\n<h3><span class=\"hihglight1\">INSTRUMENTAL EVOCATIONS\u2026<\/span><\/h3>\n<p><div class=\"img-frame alignright\"><a href=\"http:\/\/alzand.com\/wp-content\/uploads\/2015\/01\/mbira-deze.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-266\" src=\"http:\/\/alzand.com\/wp-content\/uploads\/2015\/01\/mbira-deze.jpg\" alt=\"\" width=\"150\" height=\"152\" srcset=\"https:\/\/alzand.com\/wp-content\/uploads\/2015\/01\/mbira-deze.jpg 300w, https:\/\/alzand.com\/wp-content\/uploads\/2015\/01\/mbira-deze-296x300.jpg 296w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/div> <a href=\"http:\/\/alzand.com\/?page_id=2737\"> Stomping Grounds<\/a>: 3. Mbira Song<br \/>\n<i>The <strong>mbira<\/strong> is an indigenous percussion instrument of Central and Southern Africa, its music characterized by interwoven rhythmic layers to create a sort of syncopated \u201cmusic box.\u201d This piece tries to capture the charming grooves of its musical texture.<\/i><div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4cb6d011.31996129\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4cb6d011.31996129','http:\/\/alzand.com\/SG_3_mbira_song.mp3','80','false');show_hide('play','69f1dc4cb6d011.31996129');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4cb6d011.31996129\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4cb6d011.31996129','','80','false');show_hide('stop','69f1dc4cb6d011.31996129');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/p>\n<p><a href=\"http:\/\/alzand.com\/?page_id=790\"> String Quartet No. 2 \u201cEtudes\u201d<\/a> 4. Guitarra<br \/>\n<i>Each movement exploits a single string technique and is an evocation of an instrument. This movement suggests the plucked sound of the guitar.<\/i><div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4cb87d85.73543353\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4cb87d85.73543353','http:\/\/alzand.com\/Guitarre.mp3','80','false');show_hide('play','69f1dc4cb87d85.73543353');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4cb87d85.73543353\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4cb87d85.73543353','','80','false');show_hide('stop','69f1dc4cb87d85.73543353');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/p>\n<hr \/>\n<h3><span class=\"hihglight1\">DANCE MUSIC\u2026<\/span><\/h3>\n<p><a href=\"http:\/\/alzand.com\/?page_id=2737\"> Stomping Grounds<\/a>: 4. Sto(m)p Time Dance<br \/>\n<i>\u201cStop time\u201d is a sparse, punctuated accompaniment, one usually meant to support a showy tap dance routine. Here the ensemble provides both the song and the dance: the players bang out rhythms with their feet.<\/i><div class=\"compact_audio_player_wrapper\"><div class=\"sc_player_container1\"><input type=\"button\" id=\"btnplay_69f1dc4cbace41.73166924\" class=\"myButton_play\" onClick=\"play_mp3('play','69f1dc4cbace41.73166924','http:\/\/alzand.com\/SG_4_stomp_time_dance.mp3','80','false');show_hide('play','69f1dc4cbace41.73166924');\" \/><input type=\"button\"  id=\"btnstop_69f1dc4cbace41.73166924\" style=\"display:none\" class=\"myButton_stop\" onClick=\"play_mp3('stop','69f1dc4cbace41.73166924','','80','false');show_hide('stop','69f1dc4cbace41.73166924');\" \/><div id=\"sm2-container\"><!-- flash movie ends up here --><\/div><\/div><\/div><\/p>\n<p align=\"right\"><button onclick=\"myFunction13()\">more\u2026<\/button><\/p>\n<div id=\"myDIV13\" style=\"display: none;\">\n<p align=\"right\"><a href=\"http:\/\/alzand.com\/?page_id=810\">The Waiting Game<\/a> <i>\u2014a choreographic scene for dance.<\/i><\/p>\n<\/div>\n<p><script>\nfunction myFunction13() {\n  var x = document.getElementById(\"myDIV13\");\n  if (x.style.display === \"none\") {\n    x.style.display = \"block\";\n  } else {\n    x.style.display = \"none\";\n  }\n}\n<\/script><\/p>\n<hr \/>\n<h3><span class=\"hihglight1\">ARRANGEMENTS\u2026<\/span><\/h3>\n<p><strong>They Won&#8217;t Go When I Go<\/strong><br \/>\n<i>An arrangement of Stevie Wonder&#8217;s song from the album &#8220;Fulfillingness&#8217; First Finale&#8221;<\/i><\/p>\n<style>.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }<\/style>\n<div class=\"embed-container\"><iframe src=\"https:\/\/www.youtube.com\/embed\/\/lWmmySsKH9g\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p><strong>My Romance<\/strong><br \/>\n<i>An arrangement for choir of the Rodgers\/Hart standard.<\/i><\/p>\n<style>.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }<\/style>\n<div class=\"embed-container\"><iframe src=\"https:\/\/www.youtube.com\/embed\/\/O45E06sZGoM\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Describing your own music is a precarious business for a composer. But here are a few thoughts about my work and an accompanying guided playlist, by way of musical introduction. If you&#8217;d like to explore my catalogue, these are places you might start. My pieces usually have a \u201cthread\u201d that connects them to something outside [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-5382","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/pages\/5382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alzand.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5382"}],"version-history":[{"count":84,"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/pages\/5382\/revisions"}],"predecessor-version":[{"id":7252,"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/pages\/5382\/revisions\/7252"}],"wp:attachment":[{"href":"https:\/\/alzand.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}