{"id":7649,"date":"2026-10-15T10:41:51","date_gmt":"2026-10-15T15:41:51","guid":{"rendered":"https:\/\/alzand.com\/?page_id=7649"},"modified":"2026-10-15T10:41:51","modified_gmt":"2026-10-15T15:41:51","slug":"karim-al-zand-music-tea-for-one","status":"publish","type":"page","link":"https:\/\/alzand.com\/?page_id=7649","title":{"rendered":"Karim Al-Zand: Music: Tea for One"},"content":{"rendered":"<div class=\"columns-wrapper\">\n<div class=\"two-columns\">\n<h2>Tea for One<\/h2>\n<h5>for piano<\/h5>\n<p><span class=\"drop-caps\">T<\/span>ea for One is inspired by early twentieth century popular piano styles like ragtime and stride, and also the dynamism and brilliance of Art Tatum, whose ground-breaking, virtuosic recording of <i>Tea for Two<\/i> is the source of the work\u2019s tongue-in-cheek title. The opening \u201cslow drag\u201d also hints at the floating, coloristic harmony of figures like Alexander Scriabin and Karol Szymanowski, composer-pianists from the same heady period. A middle section features the fleet-fingered right hand and \u201cfingerbusting\u201d left hand that characterizes the many \u201clions\u201d of this rollicking pianism.<br \/>\n<div id=\"attachment_7656\" style=\"width: 234px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/alzand.com\/wp-content\/uploads\/2026\/10\/Art_Tatum_Vogue_Room_1948_Gottlieb.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7656\" src=\"http:\/\/alzand.com\/wp-content\/uploads\/2026\/10\/Art_Tatum_Vogue_Room_1948_Gottlieb-224x300.jpg\" alt=\"\" width=\"224\" height=\"300\" class=\"size-medium wp-image-7656\" srcset=\"https:\/\/alzand.com\/wp-content\/uploads\/2026\/10\/Art_Tatum_Vogue_Room_1948_Gottlieb-224x300.jpg 224w, https:\/\/alzand.com\/wp-content\/uploads\/2026\/10\/Art_Tatum_Vogue_Room_1948_Gottlieb-764x1024.jpg 764w, https:\/\/alzand.com\/wp-content\/uploads\/2026\/10\/Art_Tatum_Vogue_Room_1948_Gottlieb-768x1030.jpg 768w, https:\/\/alzand.com\/wp-content\/uploads\/2026\/10\/Art_Tatum_Vogue_Room_1948_Gottlieb-1145x1536.jpg 1145w, https:\/\/alzand.com\/wp-content\/uploads\/2026\/10\/Art_Tatum_Vogue_Room_1948_Gottlieb-1527x2048.jpg 1527w, https:\/\/alzand.com\/wp-content\/uploads\/2026\/10\/Art_Tatum_Vogue_Room_1948_Gottlieb-149x200.jpg 149w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/a><p id=\"caption-attachment-7656\" class=\"wp-caption-text\">Portrait of Art Tatum, Vogue Room, New York, N.Y., between 1946 and 1948<\/p><\/div><i>Tea for One<\/i> was commissioned by pianist <a href=\"https:\/\/www.jamespalmerpiano.com\/\" target=\"_blank\">James Palmer<\/a>, with support form the Houston Arts Alliance, for the inaugural concert of his new series, <a href=\"https:\/\/www.pointofdeparturehouston.com\/\" target=\"_blank\">Point of Departure<\/a>, a classical music variety show.<\/br><\/br><\/p>\n<div class=\"pricing-box three-columns\">\r\n          <h4><span>purchase score &amp; parts<\/span><\/h4><span class=\"price\"> <\/span><a href=\"http:\/\/alzand.com\/?page_id=4372\" class=\"button\"><span>Learn More<\/span><\/a> <\/div>\n<\/div>\n<div class=\"two-columns nomargin\">\n<p>DATE<br \/>\n2026<\/br><\/br><\/p>\n<p>DURATION<br \/>\n7&#8242;<\/br><\/br><\/p>\n<p>INSTRUMENTATION<br \/>\npiano<\/br><\/br><\/p>\n<p>COMMISSION<br \/>\nJames Palmer, with support from the Houston Arts Alliance<\/br><\/br><\/p>\n<p>PREMI\u00c8RE<br \/>\nOctober 14, 2026, Houston, Tx<br \/>\nPoint of Departure<\/br><\/br><\/p>\n<hr \/>\n<p>SCORE<br \/>\nCOMING SOON!<\/br><\/p>\n<hr \/>\n<p>VIDEO<\/p>\n<p>COMING SOON!<\/br><\/br><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Tea for One for piano Tea for One is inspired by early twentieth century popular piano styles like ragtime and stride, and also the dynamism and brilliance of Art Tatum, whose ground-breaking, virtuosic recording of Tea for Two is the source of the work\u2019s tongue-in-cheek title. The opening \u201cslow drag\u201d also hints at the floating, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-7649","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/pages\/7649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alzand.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7649"}],"version-history":[{"count":7,"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/pages\/7649\/revisions"}],"predecessor-version":[{"id":7659,"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/pages\/7649\/revisions\/7659"}],"wp:attachment":[{"href":"https:\/\/alzand.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}