{"id":4819,"date":"2021-09-01T13:46:20","date_gmt":"2021-09-01T18:46:20","guid":{"rendered":"http:\/\/alzand.com\/?p=4819"},"modified":"2022-09-28T11:34:55","modified_gmt":"2022-09-28T16:34:55","slug":"ignobles-dances-consortium-commission","status":"publish","type":"post","link":"https:\/\/alzand.com\/?p=4819","title":{"rendered":"Ignobles Dances<\/i> Consortium Commission"},"content":{"rendered":"

A new work for flute and piano, Ignoble Dances<\/i>, commissioned by a consortium of 50 flutists, was presented at the National Flute Association 2021 Convention<\/a>. The event, held online from August 12\u201315, featured a filmed performance by flutist Matthew Roitstein<\/a> (Houston Symphony) and pianist David Roitstein<\/a> (head of Jazz Studies at CalArts). The work was supported through a consortium of 50 flutists from around the US and Canada. These flutists (listed below) will present performances of the work in the coming months and seasons.<\/p>\n

The film of Ignoble Dances<\/i> will be released publicly by Musiqa<\/a> on October 1st, as part of their 2021\u20132022 season. In conjunction with the release, an \u201cEducational Explorer\u201d module, designed for middle and high school students, will give the piece musical and historical context. A live performance of the piece will follow in April 2022.<\/p>\n

Ignoble Dances<\/i> was written in 2020, and its music reflects upon that disconsolate year. The seven short dances draw musical influence from a variety of sources. The title of the first movement, “Antemasque<\/i>,” refers to a \u201cbuffoonish dance\u201d that precedes a masque, a courtly entertainment of the 16th century. Of course, the word has gained another meaning in 2020, one that is equally buffoonish. Here the flute plays an urgent tune over an obstinate bass (ostinato<\/i>). “Dance of Duplicity”<\/i> presents a wistful\u00a0slow drag\u00a0(a ragtime two-step) gradually undermined by repeated interruptions. “Dance of Denial<\/i>” is based on the Italian tarantella<\/i>, in which those bitten by the tarantula spider dance in a feverish trance until they collapse. “Distanced Dance”<\/i> is a melancholy solo for flute alone. In “J. B. Dances a Jig in the Gloom<\/i>,” a surprisingly cheerful flute tune emerges from the piano\u2019s somber haze. “Dog Whistle Dance”<\/i>\u00a0features the piccolo and the highest register of the piano in strident rhythmic interplay. The set concludes with a\u00a0pavan: a slow, stately Renaissance dance. In 1648, composer Thomas Tomkins wrote a lament in memory of King Charles I, entitled \u201cSad Pavan for These Distracted Tymes.\u201d In my\u00a0pavan, which draws on the Tomkins, it is the music that is distracted and the times that are sad.<\/p><\/blockquote>\n

commissioners:<\/b><\/h3>\n

Hilary Abigana, Claudia Anderson, Amanda Blaikie, Leone Buyse, Christopher Chaffee, Michelle Cheramy, Douglas DeVries, Judith Dines, Aralee Dorough, Cobus du Toit, Jill Felber, Brook Ferguson, Steven Finley, Lisa Garner Santa, Marianne Gedigian, Brandon Patrick George, Emma Gerstein, Michael Gordon, Nave Graham, Jennifer Grim, Christine Gustafson, Hannah Hammel, Elise Henry, Jill Heyboer, Christina Jennings, Trudy Kane, Jennifer Keeney, Cynthia Kelley, Sherry Kujala, Stephen Kujala, Walfrid Kujala, Kathryn Ladner, Christina Medawar, Norman Menzales, Diana Morgan, Erica Peel, Catherine Ramirez, Leslie Richmond, Matthew Roitstein, Elizabeth Rowe, Rosalina R. Sackstein, Adam Sadberry, Marisela Sager, Julie Scolnik, Christina Smith, Yoobin Son, Nancy Stagnitta, Wendy Stern, Mark Teplitsky, Ebonee Thomas, Caen Thomason-Redus, Linda Toote, James Walker, Viviana Wilson, Heather Yarmel, Natalie Zisman<\/p>\n","protected":false},"excerpt":{"rendered":"

A new work for flute and piano, Ignoble Dances, commissioned by a consortium of 50 flutists, was presented at the National Flute Association 2021 Convention. The event, held online from August 12\u201315, featured a filmed performance by flutist Matthew Roitstein (Houston Symphony) and pianist David Roitstein (head of Jazz Studies at CalArts). The work was […]<\/p>\n","protected":false},"author":1,"featured_media":4822,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4819","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/posts\/4819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alzand.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4819"}],"version-history":[{"count":14,"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/posts\/4819\/revisions"}],"predecessor-version":[{"id":5658,"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/posts\/4819\/revisions\/5658"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/media\/4822"}],"wp:attachment":[{"href":"https:\/\/alzand.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alzand.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alzand.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}