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<\/a><\/br>\nThe Strangers\u2019 Case (for tenor and string orchestra) presents songs and chronicles of the immigrant experience. It gathers together poems and narratives from diverse sources about the perennial journey of the \u201cstranger.\u201d The work\u2019s title originates in Shakespeare\u2019s monologue for Sir Thomas More, which eloquently argues for empathy and compassion towards displaced people. The Strangers\u2019 Case reminds us of our shared history, though it is fraught with contradiction, filled with both selfless generosity and selfish indifference.<\/br>
\n\tThe Lady in the Harbor<\/i> uses texts from a unique book, \u201cLife Stories of Undistinguished Americans as Told by Themselves,\u201d a collection of personal, turn-of-the-century accounts by immigrants to the US. It begins with the words of a young Polish girl describing her grueling Atlantic voyage, and concludes with a Syrian refugee\u2019s poetic description of the New York harbor (\u201cSuch an Illumination\u201d). Who Can Pity My Loneliness?<\/i> excerpts a poem written in the wake of the 1882 Asian Exclusion Act. This is one of several anonymous Chinese poems found inscribed on the wooden walls of a San Francisco Bay immigrant detention facility. Whither Would You Go?<\/i> uses Shakespeare\u2019s monologue for More, in which the Catholic martyr addresses anti-immigrant rioters in 16th century London. The Stranger Within My Gate<\/i> is a setting of passages from virulently xenophobic poems by Rudyard Kipling (\u201cThe Stranger\u201d) and Thomas Bailey Aldrich (\u201cUnguarded Gates\u201d). They Came from Terror and Tumult<\/i> translates a work by Mexican poet Jaime Torres Bodet (\u201c\u00c9xodo\u201d)
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<\/a>that describes a train of migrants escaping their war-torn homeland. Exile is a melancholic poem by Hart Crane about lovers who are separated by distance. When Dawn Comes to the City<\/i> is by Claude McKay, a poet of the Harlem Renaissance who immigrated to the US from Jamaica in 1914. The poem contrasts a disaffection for grey, city life with a homesick nostalgia for the Caribbean. A remarkable and prescient 1908 poem by Arthur Upson, The Statue of Liberty (New York Harbor, A.D. 2900)<\/i>, imagines the New York harbor of the far future: the Statue of Liberty is unearthed, sunken in the mire, discovered by a \u201ctyrant who misrules our land.\u201d The piece concludes with Emily Dickinson\u2019s powerful four-line verse, These Strangers<\/i>, an admonition to friendship and kindness.<\/br>\n\tIt is a truism that the United States is a country founded and strengthened by immigrants. However, current events remind us that this fact slips all too easily from our consciousness. Historically, as now, we have sometimes failed to lift our lamp of welcome. Despite being a foundational part of the American story, newcomers to this country have frequently faced profound mistreatment, exploitation and structural injustice. Nonetheless, the uniquely American immigrant story continues to be an inspirational beacon to the world.<\/br>
\nBy using texts that span diverse nationalities, stories, voices and historical periods, The Strangers\u2019 Case aims to make a case of its own: though our commitment to immigrants and refugees has been equivocal, nonetheless their success forms the basis of American strength and renewal. As the child of an immigrant, I believe this sort of consciousness-raising is the only way forward. And as an artist, I believe that music is an ideal spark to kindle the altruism in our better natures. <\/p>\n","protected":false},"excerpt":{"rendered":"
Kinetic Ensemble, Musiqa and tenor Karim Sulayman premiered The Strangers’ Case on March 28th. The work was subsequently recorded and filmed for later release. The Strangers\u2019 Case (for tenor and string orchestra) presents songs and chronicles of the immigrant experience. It gathers together poems and narratives from diverse sources about the perennial journey of the […]<\/p>\n","protected":false},"author":1,"featured_media":7298,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,14,18],"tags":[],"class_list":["post-7293","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-news","category-performances"],"_links":{"self":[{"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/posts\/7293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alzand.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7293"}],"version-history":[{"count":11,"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/posts\/7293\/revisions"}],"predecessor-version":[{"id":7307,"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/posts\/7293\/revisions\/7307"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/alzand.com\/index.php?rest_route=\/wp\/v2\/media\/7298"}],"wp:attachment":[{"href":"https:\/\/alzand.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alzand.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alzand.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}