New Solo Organ Work: Let Down the Scale of Music from the Sky
- On September 05, 2022
- By alzand@rice.edu
- In EVENTS, News
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Let Down the Scale of Music from the Sky is a major new work for solo organ commissioned by the American Guild of Organists for the 2023 Ronald G. Pogorzelski and Lester D. Yankee Annual Competition, written to be premiered on the Pogorzelski/Yankee organ at Indiana University Pennsylvania.
The Heav’ly Choir, who heard his Notes from high,
Let down the Scale of Music from the Sky.
Strange Machines premiere
- On September 05, 2022
- By alzand@rice.edu
- In EVENTS, News
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Strange Machines, a new work for the Balourdet Quartet, will be premiered in the group’s 2022–2023 season, including a performance at Wigmore Hall. The work is commissioned with support from a Chamber Music America Commissioning Grant
Strange Machines imagines three quirky musical automata. In Alberti Machine we encounter a steam-punk music box, its buttons, levers and dials adjusting a familiar accompanimental pattern until the machine breaks. Bach meets Rube in Goldberg Machine, a contraption that careens between variations in a musical chain reaction. Mannheim Machine is a cliché-bot, an unhinged device that furiously spits out distorted musical tropes from the dawn of the symphony.
Loop Studies premiere
- On September 05, 2022
- By alzand@rice.edu
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Loop Studies was written during the covid-19 pandemic for violinist Natalie Lin Douglas. Chamber music performances during the pandemic have often relied on asynchronous multi-tracking as a necessity. Loop Studies is a duet, but is playable in real-time by a single musician with the aid of a loop pedal.
Each of its four studies uses an idiosyncratic musical fragment that is played, recorded and repeated. The first study, Berceuse, is a lullaby based on a gentle, rocking, cross-string figure. Lines is a short set of variations on a fragment by Luigi Dallapiccola, an improvisatory fantasy over a chromatic accompaniment drawn from the composer’s Quaderna Musicali. Straw Man Parade has the violinist using in turn various coloristic effects: pizzicato, harmonics, bowing near the bridge of the instrument—all heard over a bouncing figure performed with the wood of the bow. Tone Up/Tone Down features a syncopated, irregular groove underlying a vigorous and “athletic” foreground part. Natalie Lin Douglas will premiere Loop Studies in the 2022–2023 season in Boston and Houston.
Merz Trio to premiere new work for Columbus Chamber Music and Chamber Music Houston
- On June 07, 2022
- By alzand@rice.edu
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A new piano trio, Lines in Motion, will be premiered in the 2022-2023 season by the acclaimed Merz Trio. The work is commissioned by Columbus Chamber Music (as part of their 75th Anniversary season) and by Chamber Music Houston.
Merz Trio is a dynamic young ensemble “praised for their “fresh and surprising interpretations,” … their passionate playing and uniquely artistic programming style, interspersing classic trio works with interdisciplinary elements and their own arrangements. The Trio have made a sweep of recent US chamber awards, taking top prizes at the 2021 Naumburg, 2019 Concert Artists Guild, 2019 Fischoff, and 2018 Chesapeake Competitions. Upcoming debut appearances include performances at NYC’s Merkin Hall, Boston’s Isabella Stewart Gardner Museum, and the Concertgebouw in Amsterdam.”
Lines in Motion for violin, cello and piano, explores the relationship between music art, and is inspired by three striking line-drawings from the early 20th century: On the Open Sea [En pleine mer], a 1921 woodcut by French artist René Quillivic, Amerika [America], a 1922 line drawing by Flemish artist Frans Masereel, and Rhythms, a 1922 woodcut by American artist Wharton Esherick. The distinct technique used for each black and white illustration creates form and shape through linear motion: sweeping curled lines, dramatic vertical lines, and the sinewy lines of the human body. The three movement of Lines in Motion aim to project a similar effect in their musical character and atmosphere.
City Scenes broadcast on BBC Radio 3
- On February 23, 2022
- By alzand@rice.edu
- In EVENTS, News
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The January 3, 2022 concert of the National Youth Orchestra of Great Britain, featuring City Scenes, will be broadcast on BBC Radio 3 on February 22, and available for online listening afterwards.
Sian Edwards conducts a programme that ends with Rachmaninov’s Symphonic Dances. Before it come two much newer pieces, Dani Howard’s Coalescence – which explores how the human race has attempted to ‘outsmart’ nature over the centuries, and Karim Al-Zand’s City Scenes, which captures the beauty and chaos of life in a city.
Dog Days Dirge
- On January 15, 2022
- By alzand@rice.edu
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A short impromptu film from a December recording session for Stomping Grounds. Michael Clark (piano), Sam Park (violin) and Thomas Frey (clarinet) are featured here in Dog Days Dirge, the second movement. A recording is set to be released in 2022.
Recording The Leader
- On January 15, 2022
- By alzand@rice.edu
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December featured a series of recording sessions for an upcoming CD release, including one devoted to The Leader, a chamber opera based on a short one-act play by Eugène Ionesco. The recording featured much of the original cast from the Opera in the Heights premiere in February 2020 (immediately before the pandemic closed all performances!). Conducted by Eiki Isomura and starring Mark Diamond (baritone) as the Announcer, Megan Berti (mezzo-soprano) as the Female Admirer and Aidan Smerud (bass-baritone) at the Male Admirer.
National Youth Orchestra of Great Britain plays City Scenes
- On December 26, 2021
- By alzand@rice.edu
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The National Youth Orchestra of Great Britain will present City Scenes in a concert at the Barbican on Monday, January 3rd, 2022, under the direction of Lee Reynolds. The concert will be broadcast on BBC Radio 3 on Tuesday 22 February on Radio 3 in Concert at 7.30pm and will be available for 30 days on BBC Sounds.
It’s time to get connected!
Join us in this boundary-breaking performance as the National Youth Orchestra of Great Britain open up the music they love to audiences across the UK, packed with pulsing dance rhythms and a feeling of freedom and release.
Expect a burst of youthful energy and an inclusive, inspiring concert experience as we kick off 2022 with a bang.
PROGRAM
Ravel La Valse
Dani Howard Coalescence
Karim Al-Zand City Scenes
Conducted by NYO’s Associate Conductor,
Lee Reynolds
Rachmaninoff Symphonic Dances
National Youth Orchestra of Great Britain
Sian Edwards conductor
Saint Louis Symphony plays Luctus Profugis
- On November 01, 2021
- By alzand@rice.edu
- In News, Reviews/Press
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The Saint Louis Symphony performed Luctus Profugis on a recent program of music on the theme of “homeland.” The concert was also radio broadcast and streamed on St. Louis Public Radio’s Classic 107.3 FM. The program, conducted by Nikolaj Szeps-Znaider, featured Smetana’s Má vlast and Robert Schumann’s Piano Concerto with soloist Ingrid Fliter. Written in 2015, Luctus Profugis reflects on the European migrant and refugee crisis during that period. The work is scored for string orchestra and vibraphone.
Capriccio FILM
- On July 13, 2021
- By alzand@rice.edu
- In Musiqa, News, Reviews/Press
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Musiqa presents a newly commissioned work by filmmaker Traci Lavois Thiebaud entitled Capriccio. Commissioned by Musiqa, Capriccio celebrates the diversity and resilience of Houston’s arts community, and features musicians, dancers, poets, painters, actors, art cars and more, all packed into a free-flowing visual collage conceived and created by Houston artist Traci Lavois Thiebaud. The filmmaker describes it as a “love letter to Houston’s artists.” The film is scored to Capriccios Nos. 1 & 6, as performed by Natalie Lin Douglas (director of Kinetic Ensemble) and Matthew Detrick (from Apollo Chamber Players). Contributors include Contemporary Arts Museum Houston, Houston Masterworks Chorus, WindSync, Apollo Chamber Players, Houston Symphony, Houston Ballet, Mildred’s Umbrella Theater Company, DiverseWorks, The Catastrophic Theatre, Ars Lyrica Houston, Stages, Loop38, Orange Show Center for Visionary Art, NobleMotion Dance, Transitory Sound and Movement Collective, Kinetic Ensemble, Dre Forgotten, Brittani Alexandra Broussard, Anastasia F. Kirages, Sara Royer, Bryan Kaplun, Casey Waldner, Erin Rodgers, Alli Partin Villines, Natalie Lin Douglas, JooYoung Choi, Charlie Scott, David A Brown, Christa Forster, Rebecca Lowe, Miranda Ramírez, Kacee Dugas, Joe Folladori, Candice D’Meza, Matt Detrick, Loren Holmes, BooTown, AFA, Muhammad Fachrul Yunus, James Templeton, James Medford, National Pleasure, Joseph Weiss, Bonnie Blue, Ken Hoge, Felizabeth Smiley, Swimwear Department, and many more….
CAPRICCIO
/kəˈprēCHēˌō/
1. A lively piece of music, typically short and free in form.
2. A style of painting introduced in the Renaissance that combines real architectural elements and figures in fictional and fantastical combinations.
3. A series of six works for solo violin by Houston composer and Musiqa Artist Board member Karim Al-Zand.
4. The film inspired by Al-Zand’s Capriccios, created by Houston filmmaker Traci Lavois Thiebaud, and involving arts organizations and artists from across the city. “Capriccio” was commissioned by Musiqa, and includes ballet dancers, actors, writers, visual artists, poets, musicians of all sorts and (of course) art cars in a celebration of Houston’s artistic diversity. A modern cinematic riff on a 17th century painting style, Musiqa’s “Capriccio” is coming this summer, for free, to your electronic device.
Rice Stadium Concert
- On July 10, 2021
- By alzand@rice.edu
- In News, Uncategorized
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On March 17th, 2021, in the midst of the COVID pandemic, Shepherd School of Music composition students participated in a unique concert of new music at Rice University’s 50,000 seat football stadium. Five new, site-specific works were composed by graduate students Nicky Sohn, Jake Sandridge, Grace Ann Lee and Daniel Leibovic, and by undergraduate Alex Moreno—works especially designed to be performed within the “extreme distanced” environment of the stadium. The collaborative project involved the school’s brass and percussion students, who rehearsed and performed the works over the course of several weeks, assisted by staff conductor (and light saber brandisher) Jerry Hou. The result was a memorable and unique concert on a massive spatial scale, occasioned by performance restrictions in the era of COVID. Full footage of the concert can be found below.
Attar of Rose played by Ensemble Connect
- On May 23, 2021
- By alzand@rice.edu
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On May 19, 2021, Ensemble Connect presented American Mosaic, a fascinating fusion of visual art and chamber music. American Mosaic showcased the many identities, cultures, and styles that 20th- and 21st-century composers in America bring to their music. The online presentation called attention to the ever-expanding boundaries of what it means to be an artist and musician in the diverse cultural mosaic that is the United States while also celebrating one’s own personal identity. American Mosaic features renowned visual artist Kevork Mourad, who brought the program to life in a stunning visual display. The concert featured a performance of Attar of Rose from Quelques Fleurs.
Ensemble Connect
Amir Farsi, Flute
Yasmina Spiegelberg, Clarinet
Tamara Winston, Oboe (Alum)
Nik Hooks, Bassoon
Cort Roberts, Horn
Joanne Kang, Piano
Rubén Rengel, Violin
Stephanie Zyzak, Violin
Halam Kim, Viola
Laura Andrade, Cello
Kevork Mourad, Artistic Partner
Luctus Profugis performed by WDR Symphony Orchestra
- On March 16, 2021
- By alzand@rice.edu
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The WDR Symphony Orchestra, under music director Cristian Măcelaru, performed Luctus Profugis live at the Kölner Philharmonie on November 21, 2020. This filmed performance of the work was premiered online on March 5, 2021. Luctus Profugis is a lament for string orchestra and percussion that reflects on the 2015–2019 European refugee crisis. The title translates roughly from the Latin as “Grief for the Displaced.” The word “profugus” has a connection to the opening lines of Virgil’s “Aeneid,” which describes one of the earliest refugees: Aeneas fleeing the Trojan war to the shores of Italy. In Luctus Profugis, the percussionist at the heart of the ensemble plays a simple three-note motive that repeats for the duration of the piece. Its persistence symbolizes for me the refugees’ journey, their tenacity, courage and resilience.
Dance Interlude premiered by ROCO
- On December 29, 2020
- By alzand@rice.edu
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ROCO recently premiered Dance Interlude at their online concert “Love Notes,” performed at Nancy Littlejohn Fine Art, Houston, Texas, October 17, 2020. The short celebratory work was commissioned at part of ROCO’s FIFteen Project—delayed from last season by COVID-19. The project, curated by Houston-based composer, Mark Buller, is a commissioned set of fifteen Fanfares, Interludes, and Finales, (FIF) written by a diverse set of composers and sprinkled throughout ROCO’s 15th (and 16th!) season. The performance featured oboists Alecia Lawyer, Erin Tsai and Spring Hill (on English horn).
The Leader premiere with Musiqa and Opera in the Heights
- On April 16, 2020
- By alzand@rice.edu
- In Musiqa, News
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On February 23 & 29 my one-act chamber opera The Leader received its premiere on a double-bill with Anthony Brandt’s Kassandra. Presented at Lambert Hall as a co-production of Musiqa and Opera in the Heights, the work was conducted by Eiki Isomura and stage directed by Cara Consilvio. Many thanks to the terrific cast of Mark Diamond (Announcer), Lindsay Russell Bowden (Female Lover), Zachary Averyt (Male Lover), Megan Berti (Female Admirer) and Jason Zacher (Male Admirer).
The Leader is a chamber opera based on Eugène Ionesco’s Le Maître, a one-act political satire from 1953. Scored for 5 voices and large ensemble, the work is both an absurdist comedy and a timely allegory on the casual rise of despots.
The production featured unique reversible sets specially designed by Jesús Vassallo. (below)
SYNOPSIS
The Announcer and two Admirers are chasing the Leader. Apparently he is nearby but the trio always seems to arrive a moment too late. Though he eludes them, they yearn to be in his presence. They fervently worship him from afar, following his every action with rapt attention. Meanwhile, two Lovers court each other and profess their mutual affection. Finally, the Leader approaches, the anticipation builds and the Lovers are swept up in the frenzy. The Leader is coming: his imminent arrival is hailed with increasing zeal.
On its surface, The Leader is a comedy. Its situations are farcical, its action is madcap, and its cast is full of outrageous caricatures worthy of opera buffa. The Announcer and Admirers, in their adulation, repeat the same words over and over again: platitudes and banalities echoed by mindless followers. Their behavior is preposterous, yet their unquestioning fervor seems all too familiar…
As is common in the so-called “theater of the absurd,” The Leader achieves its effect not through plot machination or character development, but through parody, a kind of exaggeration that forces us to reckon with our own sense of the world and its predicaments. It was published in 1953, six years before the playwright’s best known work, Rhinoceros, but shares with the later work its satirical tone, allegorical character and underlying political critique. Together the plays are often read as a commentary on the rise of fascism in the lead-up to World War II, and a mockery of its dangerously charismatic leaders.
But the cautionary message of Ionesco’s play is as relevant today as ever. The Leader lays bare the cult of personality which accompanies despotism. It inveighs against mob mentality and mass conformity. The cloud of uncertainty with which the play ends shows us the result of such tendencies, and serves as a rallying cry for reason and individual thinking.The Chestnut Street Singers on WRTI
- On April 11, 2020
- By alzand@rice.edu
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The Chestnut Street Singers, Philadelphia’s cooperative chorus, performed my a cappella arrangement of My Romance by Rogers & Hart in a March 5th, 2020 live appearance on WRTI 90.1 Radio, in preparation for their season program “Always Singing.”
Nathan Lofton, a member of the ensemble, found this old arrangement of mine (from 1998) in a box of music he inherited from the late choral conductor Lorna Cooke deVaron, former director of the NEC Camerata, for whom I wrote the arrangement. The piece was performed on March 6 at the Presbyterian Church of Chestnut Hill and on March 8 at St. Mark’s Church in Philadelphia.Dietrich Henschel and ensemble unitedberlin release CD X-mas Contemporary
- On November 28, 2019
- By alzand@rice.edu
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Dietrich Henschel and ensemble unitedberlin, under the direction of conductor Vladimir Jurowski have released a double CD entitled X-Mas Contemporary, featuring the premiere recordings of twelve holiday-inspired works.
What does Christmas mean to you?
Baritone Dietrich Henschel asked twelve composers from different countries and cultures to create a work for voice and ensemble and to use musical means to describe what they associate with Christmas. It was up to them whether religion or tradition played a role. Even criticism and satire were possible. As expected, the answers are all very different.
X-MAS CONTEMPORARY – The Christmas Carol of the 21st Century
12 composers write 12 Christmas songs of the 21st century.
Works by
Karim Al Zand
Detlev Glanert
Manfred Trojahn
Jose-Maria Sanchez-Verdu
Vanessa Lann
Arno Waschk
Olga Rayeva
Jamie Man
Michèle Reverdy
Annette Schlünz
Jobst Liebrecht
Matan Porat
The CD release will coincide with concert performances in Berlin, Rotterdam and Dusseldorf in December, 2019. The CD is available on iTunes. The CD has earned several positive reviews already.
Opera in the Heights Announces 2019–2020 season, including premiere of The Leader
- On May 07, 2019
- By alzand@rice.edu
- In News, Reviews/Press
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Opera in the Heights has just announced its 2019–2020 line-up, which will include a collaboration with Musiqa in February 2020. As part of a new initiative, their New Works Festival will feature a double-bill of chamber opera premières on February 23rd and 29th: Anthony Brandt’s Kassandra and Karim Al-Zand’s The Leader, both conducted by OH artistic director Eiki Isomura. The libretto of The Leader is drawn from a short one-act play by French-Romanian playwright Eugène Ionesco. The work is a comic opera, an absurdist political satire about authoritarianism, groupthink and the cult of personality.
Houston Youth Symphony performs Ring the Bells at Break of Day
- On May 07, 2019
- By alzand@rice.edu
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The award-winning Houston Youth Symphony, under the direction of Michael Webster, concluded its 2018/19 season with its Spring Concert, featuring the finest young musicians from the region performing in four ensembles. The May 5th concert concluded with the most advanced orchestra in a program that included Karim Al-Zand’s Ring the Bells at Break of Day and Ravel’s La Valse. The concert also featured presentations of 2018/19 Concerto Competition winners Kevin Chan, performing a movement from Prokofiev’s Violin Concerto No. 2 and Johnny To, performing Rossini’s Introduction, Theme and Variations for clarinet and orchestra.
Houston Chamber Choir performs A Measure in Trance
- On April 16, 2019
- By alzand@rice.edu
- In Musiqa, News, Reviews/Press
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