NEW ALBUM AVAILABLE from NAVONA RECORDS

Announcing a new recording from NAVONA records released on 9/9/2022, The Leader and other works. The album features the titular chamber opera (with a libretto by Eugène Ionesco), paired with several new instrumental works

The Leader | Six Bagatelles | Songs from the Post Truth Era | Capriccios Nos. 5 & 6

Personnel

Mark Diamond baritone | Aidan Smerud baritone | Megan Berti mezzo-soprano | Zach Averyt tenor | Lindsay Russsel Bowden soprano | Eiki Isomura conductor

Omri Barak cornet | Michael Clark piano | Matthew J. Detrick violin | Wesley Ducote piano | Thomas Frey clarinet | Alex Garde percussion | Max Geissler cello | Sonja Harasim violin | Mary-Grace Johnson violin |Julia Kirk viola | Andrew Laven cello | Natalie; Lin Douglas violin | John Mietus double bass | Sam Park violin | Ben Roidl-Ward bassoon | Jihong Son trombone | Alexandra Smither soprano | Chapman Welch mandolin | Willie Yeh flute/piccolo

NV6469 NAVONA RECORDS

Available on all major streaming services, or from NAVONA.

New Solo Organ Work: Let Down the Scale of Music from the Sky

Let Down the Scale of Music from the Sky is a major new work for solo organ commissioned by the American Guild of Organists for the 2023 Ronald G. Pogorzelski and Lester D. Yankee Annual Competition, written to be premiered on the Pogorzelski/Yankee organ at Indiana University Pennsylvania.

The work borrows music from Henry Purcell’s Magnificat and Nunc Dimittis, the composer’s so-called “Evening Service,” written for mixed chorus. The beginning of the organ work presents two short and plaintive phrases, drawn from the Purcell, which together form a gently descending scale. This gesture is used as a sort of repeating refrain in the piece, a “ground.” The work’s title is taken from an encomium by poet John Dryden, written in 1695, entitled An Ode, On the Death of Mr. Henry Purcell:

The Heav’ly Choir, who heard his Notes from high,
Let down the Scale of Music from the Sky.

Strange Machines premiere

Strange Machines, a new work for the Balourdet Quartet, will be premiered in the group’s 2022–2023 season, including a performance at Wigmore Hall. The work is commissioned with support from a Chamber Music America Commissioning Grant

Strange Machines imagines three quirky musical automata. In Alberti Machine we encounter a steam-punk music box, its buttons, levers and dials adjusting a familiar accompanimental pattern until the machine breaks. Bach meets Rube in Goldberg Machine, a contraption that careens between variations in a musical chain reaction. Mannheim Machine is a cliché-bot, an unhinged device that furiously spits out distorted musical tropes from the dawn of the symphony.

Loop Studies premiere

 
Loop Studies was written during the covid-19 pandemic for violinist Natalie Lin Douglas. Chamber music performances during the pandemic have often relied on asynchronous multi-tracking as a necessity. Loop Studies is a duet, but is playable in real-time by a single musician with the aid of a loop pedal.

Each of its four studies uses an idiosyncratic musical fragment that is played, recorded and repeated. The first study, Berceuse, is a lullaby based on a gentle, rocking, cross-string figure. Lines is a short set of variations on a fragment by Luigi Dallapiccola, an improvisatory fantasy over a chromatic accompaniment drawn from the composer’s Quaderna Musicali. Straw Man Parade has the violinist using in turn various coloristic effects: pizzicato, harmonics, bowing near the bridge of the instrument—all heard over a bouncing figure performed with the wood of the bow. Tone Up/Tone Down features a syncopated, irregular groove underlying a vigorous and “athletic” foreground part. Natalie Lin Douglas will premiere Loop Studies in the 2022–2023 season in Boston and Houston.